http://www.colloquiam.com/wd/index.php?action=history&feed=atom&title=Pereira_2015aPereira 2015a - Revision history2026-05-11T13:34:53ZRevision history for this page on the wikiMediaWiki 1.27.0-wmf.10http://www.colloquiam.com/wd/index.php?title=Pereira_2015a&diff=104406&oldid=prevScipediacontent: Scipediacontent moved page Draft Content 860891749 to Pereira 2015a2019-03-13T10:50:31Z<p>Scipediacontent moved page <a href="/public/Draft_Content_860891749" class="mw-redirect" title="Draft Content 860891749">Draft Content 860891749</a> to <a href="/public/Pereira_2015a" title="Pereira 2015a">Pereira 2015a</a></p>
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</td></tr></table>Scipediacontenthttp://www.colloquiam.com/wd/index.php?title=Pereira_2015a&diff=104405&oldid=prevScipediacontent: Created page with " == Abstract == This work takes as its starting point Eugenio Asensio’s affirmation that the greatest admirer of Jorge Ferreira de Vasconcelos and his comedies would have b..."2019-03-13T10:50:29Z<p>Created page with " == Abstract == This work takes as its starting point Eugenio Asensio’s affirmation that the greatest admirer of Jorge Ferreira de Vasconcelos and his comedies would have b..."</p>
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== Abstract ==<br />
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This work takes as its starting point Eugenio Asensio’s affirmation that the greatest admirer of Jorge Ferreira de Vasconcelos and his comedies would have been Lope de Vega. He attempts to prove this thesis by pointing out the similarities between the Eufrosina (1555) and Lope’s La Dorotea (1632) and, to a certain extent, even the Aulegrafia (1619). Other points of contact between the lives and works of these two great figures of the Iberian theater are also considered, in order to understand how Lope de Vega processed his reception of the works of the Portuguese comedy writer of the sixteenth century<br />
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== Full document ==<br />
<pdf>Media:Draft_Content_860891749-114-2213-document.pdf</pdf></div>Scipediacontent